'Our two leading sopranos each feel superbly suited to this score, and to the space...Luci Briginshaw's natural, appealing Adele regularly brings energy and joy to the stage, sung with thrilling fullness (and delightful petulance where appropriate).'

Die Fledermaus, November 2016

Full review here 

 

'Luci Briginshaw's superb Donna Anna is one of the evening's main highlights, thrillingly well sung and beautifully acted'

Don Giovanni, November 2015 

Full review here

 

'Luci Briginshaw is a radiant Mimi - a soft glow ever present in her eyes, despite her pallid complexion and increasingly sickly posture. She's a deeply likeable character: her earnest self-expression and dignity still standing in her final hours, and Luci Briginshaw's voice reflects this admirably.'

La Boheme, October 2015 

Full review here

 

'Luci Briginshaw...revolutionised Gilda from "Caro nome" onwards, giving a performance of heartbreaking softness, innocence and sincerity fuelled by singing which grew ever more fabulous as the night drew on.'

Rigoletto, August 2014 

Full review here 

 

'The show's shining light was the gorgeous Luci Briginshaw [as Violetta]. She glowed with talent throughout, and it was quite possibly her imaginative, daring, earthly performance that drew expression from her co-workers. She owned the stage, her aching love for Alfredo penetrating the audience, and expressing herself with such beauty that she provoked several murmured 'wow's from the front row.'

La Traviata, September 2013

Full review here 

 

'As for the wonderful singing of the Queen of the Night! Her arias are the reason many love this opera, and Luci Briginshaw did not disappoint.'

The Magic Flute, November 2013 

Full review here

              


 ©Luci Briginshaw 2017